LUCAS BORRAS AND CARLOTA SANTAMARIA – MOVING ACROSS THE GLOBE TO MAKE MOVIES

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Life as an artist can oftentimes be a life of moving to where the work is or travelling to new places to be inspired, living a nomad existence, always seeking out the next project. On the 4th and 5th of October World Day of Migrants and Refugees was celebrated and we wanted to take this opportunity to speak with NERD Productions talent Lucas Borras and Carlota Santamaria originally from Spain have lived all over the globe swapping the towering skyscrapers of NYC and now finds himself in tinsel town living amongst the stars. The pair will be moving forward as a collaborative force known as Chosen Family and we cannot wait to share more with you in the near future. 

Moving can be a hard and difficult process like leaving a piece of yourself behind, places can root us down, remind us of people and memories. Another consideration is uprooting family, having to look for new schools and fit in with new cultures and customs. We caught up with both of them to discuss how migrating impacted his work and whether it inspired or changed his approach to making art.

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How did you both originally meet?

Like all great stories, in prior days of online dating,  we met dancing in Barcelona and from that point onwards we just clicked together.

What was your first creative collaboration?

“The first time we collaborated was on a TV show called Anecdotari—a project that marked the beginning of our creative partnership. It went on to win both the Gold LAUS Award and the European Design Award. I led as Director and Animation Director, while Carlota brought her vision as Design Director and Illustrator. It was a project rooted in shared values, distinct perspectives, and a deep creative trust.” – Lucas

Was home sickness something that ever impacted you when you first moved away from home?


“We’ve always had each other’s back which always helps, naturally most of our family still live over in Spain but what’s helped since moving to LA is there’s a strong spanish speaking community in our area. We’ve made friendships through work collaborations, but as well through exploring the “californian” culture and taking our children to school and it’s important that we’ve built connections outside of the film and advertising space as well.” – Carlota

How does living on the West Coast differ from living on the East Coast?

“New York moves at a very different pace, you’re at what feels like the center of the universe, the hustle and bustle of a sprawling metropolis. When we moved back in 2009 it was very easy to build up connections especially in the creative space. You were always within walking distance of agencies and creative studios. LA on the other hand is more spread out and vast, unless you drive a car it can be harder to get from A to B. So you learn to find your people where you’re based which in a lot of ways helps with the community feel.

Our surroundings often provide us with inspiration, when was the last time the LA sunshine helped form an idea?

It’s so true, our surroundings provide us with so much inspiration, moving to LA in many ways felt like going home to Spain, the sunshine beaches and the open air provided us with a sense of clarity that was almost impossible to achieve living in New York City. We have more time to relax and collaboration feels less strained. I think in LA we have mastered work and life balance better than what was possible living in New York.

Take a look at some of the prime examples of Chosen Family’s colourful work.

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Click here to see to see colourful and inspiring Erno Laszlo film.

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Click here to see Quantic

Could you tell us a bit more about your creative relationship and how that’s evolved over the years into Chosen Family?

“After 18 years of living—and creating—together, we’ve developed a rhythm that allows us to balance the personal and professional with honesty and flow. Our different points of view consistently push the work to new places, and we’ve found that what might feel like friction at first often becomes fuel for something better. Over the years, our dynamic has matured into one of synchronicity and clarity, especially when navigating complexity or high-stakes moments.


We’re both deeply curious and wired for what’s next. We thrive on experimentation, openness, and momentum. If we had to name our shared ethos, it would be this: Live without fear, and create like you mean it. That mindset permeates everything we do—how we collaborate, how we take risks, and how we bring ideas to life.” – Lucas & Carlota

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How do you deal with prejudice in and out of the workplace?

With empathy.

What’s the most valuable piece of advice you would give to someone who is also looking to migrate for work opportunities?

If possible, go spend some time in the place you’re considering. Live it. Walk its streets. Connect with the studios, agencies, and people you admire. Get a real feel for the energy. See if it matches what you imagined—if it truly feels like somewhere you want to be.

To see more of Chosen Family’s work click here

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NERD’s LUCAS BORRAS – MIXING IT UP WITH MIXED MEDIA

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It kinda feels greedy to be a master at both live-action and animation but Lucas Borras’s creative appetite knows no bounds. His award-winning work is a banquet of creativity but that’s enough with the food analogies, we wanted to catch up with Lucas to see why mixing it up works so well in the world of commercials. Furthermore, we wanted to learn more about Lucas’s process and the pros and cons of working in a mixed-media format. 

What inspired you to get into visual storytelling in the first place?

My journey into visual storytelling began with a love for filmmaking, sparked by my friends who were filmmakers themselves. Growing up in the ’90s, I was captivated by MTV, particularly the innovative music videos of Michel Gondry and Spike Jonze. Japanese animation and cartoons also played a huge role in shaping my early visual language. 

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The Chemical Brothers ‘Let Forever Be’ directed by Michel Gondry available here

As I grew older, my fascination with iconic films like ‘2001: A Space Odyssey’ solidified my passion. It’s a blend of influences that continues to inspire my work today.

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Were you always experimenting with different forms of media to craft stories?

It’s been an evolution. I started with a fascination for art and physical crafts, influenced early on by my father, an artist. My weekends as a kid were filled with museum visits, where I developed a deep appreciation for form and color. As I delved into filmmaking, design, photography, and typography, I began experimenting—giving typography a volumetric feel through sculpture, merging analog with digital, and exploring the emotional resonance of stop motion and live-action.

I’ve always been drawn to the spaces where different mediums intersect. For me, storytelling has never been about using just one tool—it’s about expanding the toolkit and pushing boundaries. There’s a kind of magic you can only find when you step outside the screen… and then return to it with new materials to merge and transform.

What excites you the most about working within mixed media and what’s the most daunting aspect?

What excites me most about working within mixed media is the sense of creative freedom—it’s like speaking multiple visual languages at once. Each medium brings its own texture, emotion, and possibilities, and when you blend them thoughtfully, you can tell stories that are deeply layered and unexpected. Each medium also connects with the audience emotionally on a different level, and I love that about mixed media—you can harness the very best of each form to create something truly unique.

Whether it’s placing 2D illustration within a CGI environment or merging stop-motion with live action, there’s a magic that emerges—something that gives a story a dreamlike touch that would be impossible to achieve otherwise. I’m drawn to the challenge of finding the right balance, where every element enhances the narrative and creates a singular emotional experience.

American Express ‘Personal Loans’ available here

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The most daunting part is also what makes it so exciting: navigating the complexity. Mixed media projects often involve many moving pieces—multiple teams, tools, workflows, and creative languages—and aligning them under one cohesive vision requires both precision and flexibility. But that tension is where the breakthroughs happen. It’s where you stretch, evolve, and ultimately elevate the work.

But for me, that tension is part of the joy—it pushes the work to a higher place.

Maybe you could let us peer behind the creative curtain and share one example of an obstacle you faced with a brief and how you overcame it.

One of the most memorable challenges I faced was during the Shopify “Marketplace Replatformers” campaign. The brief was ambitious: create a suite of localized video ads across six global markets, speaking directly to experienced marketplace sellers and inspiring them to expand their business with Shopify.

We initially planned a film that would be 80% live action and 20% animation. But as we progressed, that balance flipped completely—eventually becoming 80% animation and 20% live action. That pivot could have derailed us, but instead, it became a lesson in adaptability. I leaned into listening—really listening—to the evolving needs of the client and responded with quick, effective solutions grounded in ideas that still hit the original brief.

The biggest creative hurdle? We had no established brand guidelines—just three static screenshots. For a campaign of this scale and visibility, that level of ambiguity could have easily slowed us down. But I saw it as an opportunity.

I proactively built a visual system from the ground up, initiating collaborative meetings across Shopify teams to extract design preferences, tone, and brand language. I led explorations in gradients, UI, typography, and motion—developing prototypes that acted as tools for alignment as much as they were design tests. We shaped the brand together, in motion.

I also kept the team energized by turning uncertainty into possibility. I encouraged exploration, while always anchoring us in our north star: empowering sellers to feel ownership over their brand and growth.

The result? Over 120 localised video assets delivered!  But more than that, we created a brand visual language where none existed—and delivered a clear, powerful message: with Shopify, you can sell anywhere.

That experience reminded me that the best creative breakthroughs often come from constraint—and that the key to leading through ambiguity is empathy, curiosity, and decisiveness.

Shopify film available here