FOR THE LOVE OF NERD & WORKING TOGETHER

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We all know the stereotypes and cliches surrounding working within the creative industries, crazed directors, evil interfering producers and runners getting the electric chair for producing the wrong shade of coffee. But what if we told you that isn’t always the case and you can create something special in a warm and inclusive environment? If you didn’t already know Valentine’s Day is here and everyone at NERD wants to spread a different kind of love, a love of working together and reminding everyone why we work in the industry in the first place. A celebration of making the craft and sharing stories with the world that hopefully inspire and bring a little joy. 

Getting involved in the action is the lovely and super talented, award winning director Shay Hamias who is a champion for supporting NERDs underrepresented and up and coming talent. He makes collaborating feel like a smooth summer breeze. Over the years Milana and Shay have worked together on endless projects, building up a level of trust and creative harmony that would make most married couples blush. 

So get those valentines day chocolates out, stick on some smooth jazz and have a read of our latest get together.

Where did it all begin for you both as a creative collaboration?

Shay: I can’t actually remember, as it’s been so long ago but Milana was always my favorite producer to work with so we got paired up quite often while at the production company we both worked at, which is where we first met. We were both instantly in sync with each other, so it made collaborating a breeze. 

What’s the most invaluable lesson you’ve learnt from working together?

Shay: A valuable lesson I have learnt from working with Milana is to be patient and her ability to manage client expectation while also providing me with enough creative freedom to do my job is borderline inspiring to witness. 

Milana: To be yourself because by doing so you will be able to bring the most to a project and pave the way for others to do the same! When I first started I was heavenly and unfairly judged for being from South London, for not being of privileged background and for simply not being white enough. However, working with Shay and just being in his presence allowed me to be myself and shine with my skills, craft and worry less about my appearance, accent and background. Simply by spending less time focusing on how to present myself etc I could just concentrate more on how to do the best job in my role. It is so liberating! This has since led to much of how NERD treats all our collaborators and talent. Inclusive, nurturing and supportive work space is what we have formed, where people don’t feel judged but simply celebrated for their contribution and skills.

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Separate from working together, what are your main icks when it comes to collaborating with people?

Shay: Red flag for me is when boundaries are unclear creatively… in order to be creative,we need some parameters that allow creative problem solving, when some of these are unknown it can generate friction during the process. 

Milana: A big ick for me is working with people who are only motivated by their own shellfish goals, cliche but nobody wants to work with someone who isn’t a teamplayer, we work in an industry that is built upon collaboration, from the boom operators to the focus pullers. Everybody plays a role in bringing something together and unfortunately some people who work in the industry often forget this very important element of filmmaking. Empowering and inspiring your crew is endlessly rewarding as they will do their best work!

Historically the relationship between producer & director can be one fraught with friction, how did both avoid those pitfalls?

Shay: We have full honesty and we both want to get the job done in the best possible way, always open dialogue. I know I can call Milana at any time or NERDs other fantastic creative  producer Ira and they will support or help solve whatever is needed. They know they can ask me for anything as well as what the project may require and we will mutually try and make it work. We share the responsibility for the culture of the company, the success of the projects and we never fight each other. In fact we have developed a close personal friendships and support even goes beyond the professional bounds as we have full trust in each other.

Milana: Shay put it perfectly, having an open and honest dialogue with each other is key to avoiding frictions. Oftentimes the producer can be seen as the harbinger of bad news or someone who is only there to restrict them. However that simply is not the case, my role is to provide the creatives with support to make each project feel rewarding and comfortable. Naturally it helps that me and Shay have yet to have a bust up or even exchange some sarcastic back and forths.

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The creative industries can be known for being very unwelcoming especially for those who come from underrepresented backgrounds, could you tell us a bit more about your work with supporting young talent? 

Shay: I like supporting young talent to help them navigate the brief, clients and even their relationship with the producer. Help them focus on the brief, it is a collaborative process and we are making it for a client’s needs. Even I need to ask Milana what she thinks about a brief, so we hone it down correctly. Sometimes when I was young I’d miss out certain details because it can be a lot to process while chatting with the agencies. The other thing is while on production, in the past I’ve helped the new director understand they have the power to negotiate time or support with the producer and not be afraid of the producer because they’re on their side. I also help directors understand and manage client expectations, to be honest with what can be achieved. I’ve learned from my own experiences of sleepless nights  that clear communication is key for managing expectations.

What aspect of collaborating with others do you love the most?

Shay: What I love most is working with other people who are all talented in their own way. I know my limitations and strengths, and when working with others they bring in a different design or point of view making the project and experience richer. It can be at the producer level suggesting how to approach a project and the agency to the animator suggesting how the character should move. I see my role as a creative director is to help steer the ship, by facilitating other talents to make the work they enjoy most even better.

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How has your working relationship with Shay helped shape NERDs ethos?

Milana: Meeting Shay and the inception of NERD Productions started around the sametime so there’s no surprise my working relationship with him has had a huge influence on the ethos of the company. I wanted to create something that had a true sense of inclusion with a culture of championing voices from all backgrounds. I wanted the talent to feel welcomed and more than just a name on a roster, or someone to tick a box for an agency. Working with Shay was a great reference point for me when looking for new and exciting artists to work and collaborate with.

We all know how demanding the role of producer is, so how do you still find time to love the role?

Milana: I think with any role especially one you’ve done for so long can for some people become stale or repetitive but the joy of producing for me is getting to work with so many different people, be they clients or talent. The creative brief is never the same so the production path of bringing the project to life is always new and fun. Also, for me seeing who we can bring on board to elevate, what new methods or techniques and styles we can mix and play with.. Well possibilities are endless. For example, to know you can help a young director by pushing them and changing the course of their career journey is a privilege and something I want to be remembered for one day. Once again not to sound like a broken record, no two days are the same as a producer and you never know what the day will present to you and there’s a massive, exciting thrill to that. It is all a little bit addictive. 

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How do you balance the emotional and professional aspects of working closely with people you care about?

Milana: I don’t! I believe in hard work in every relationship in life. Things we care about do require effort if we want to reap the benefits. It’s very simple. I do care about every single person I work with and want to do my best by them. They are in my life and we make wonders together so why not make the most of that situation and environment instead of seeing it as something that needs to be a separate set of relationships. 

Of course, if you hate what you do and people you do it with, I can see how ‘balance’ may be much needed. Being able to reach a point in my career where I can choose the talent I work with and clients we craft for is like a slice of heaven and I am aware is a blessing but it is a well deserved one. 

We would also like to take this time to share our love with the team and roster at NERD and all the fantastic clients we’ve worked with over the years who have made everything possible. 

Our romantic optimism is infectious so do be careful! We look forward to forging more relationships in the future, just make sure to swipe right 😉 

The Mad Science Behind NERD Productions’ Paul Lovas

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NERD Productions continues to grow its impressive photography roster and the latest addition to join is Paul Lovas. From food and drink to still life, Paul’s work feels distinctive and brimming with originality, his strong use of colours and his almost scientific approach to photography comes together to create something special. 

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NERD Productions latest addition to the team Louis Hudson caught up with Paul to find out more about his approach to photography and what inspires his work. From skating, still life painting and DIY filmmaking we take a look behind the images to better understand the artist.

How did you get into photography in the first place?

In my early youth, my whole world revolved around skating and everything that came with it. I documented it all with a video camera, even rigging a fake fisheye lens by slapping a door viewer on with gaffer tape, DIY style. As I moved on to art school and started digging deeper into visual arts, my focus gradually shifted, and skateboarding faded into the background.

Still life and advertising felt like a natural fit. My great-grandfather was a still-life painter, so I grew up in a house where every wall was covered with his works — or those of other still-life artists. To top it off, my parents ran an advertising agency, which kind of immersed me in the world of visual storytelling without me even realising it.

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Could you tell us more about the studio you formed with your friend in university and what you learned from this experience?

SquareOne Studio was actually my second shot at studio photography — the first one fizzled out after a few projects and didn’t even make it to the naming stage. Determined to try again, I started building my own brand, and soon my colleague Toto joined me. We needed a way to promote our shiny new venture, so we dug up an old university project: an outdoor studio where people could get portraits — just not the headshot kind. Instead, we’d splash them with coloured water and capture the chaos. We called it, “We Add Colour to Your Summer.”

The idea took off, and soon we were photographing tons of people across Romania and Spain. It was a wild, creative ride.But as we dug deeper into running the studio, we got in our own way a bit with different opinions and clashing ideas — it was like two chefs fighting over the same pot. Eventually, we decided to part ways, and not long after, I moved to the UK to start a new chapter with my now-fiancée. Toto and I stayed good friends, though. And if skateboarding taught me anything, it’s how to fall, get back up, and trust people along the way — resilience has always been my greatest guide.

You have a vivid and distinct style but how did this take shape and what were your earliest forms of inspiration?

My style didn’t just come out of nowhere; it’s been shaped by a lot of things I’ve been into over the years. Skateboarding culture definitely influenced how I see the world, a lot of different music, from punk to electronic and a lot of Hip Hop and graffiti art. Comic books and video games introduced me to different storytelling techniques and visual styles.

The use of colour by Gustav Klimt has been a huge inspiration. And, of course, like any photographer, I get inspired by other photographers too. There’s inspiration everywhere — from music to art to design to a simple walk in the park. It’s all about pulling from different places and making it my own.

Your work feels meticulous to the point of almost scientific but at the same time  feels incredibly inventive and experimental. Could you tell us a little bit more about your creative process and how ideas take shape?

This is a tricky one! It’s hard to pin down how ideas take shape. Inspiration comes from everywhere – what you’ve lived through, the people you’ve met, the movies you watched, your childhood, etc.; all those experiences coming together and influencing your work. It’s not like I wake up and say, “Today I’m going to shoot sandwiches exactly like this…” I think of the creative process more as a journey of constant experimentation. Being a photographer is like problem-solving; you’re always figuring things out along the way.

For example, one of my recent shoots was about sandwiches. The idea came to me while I was hungover, eating a croque madame at a restaurant with my fiancée. I wasn’t super hungry, so I was mostly playing around with the food, and when the yolk burst, I knew I had to shoot that. The more I thought about it, I remembered the Scooby-Doo cartoons from my childhood and thought, “I’ve always wanted a sandwich like the ones Scooby and Shaggy used to eat!” So, I decided to stack multiple sandwiches just like they did in the cartoons.I shared the idea with my friend Dickie from Digital Peaches, we pulled together a team and boom — three different Scooby sandwiches.

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Like every good science project it’s all about trial and error and I wondered if you could share some examples of experimentation that lead to you discovering a new technique or something you would use in later projects?

This question brings up a funny story. It was really hot outside and I was shooting for another project, but felt like having an ice-cream, so I went and bought a twister. But when I work I typically can’t sit still, so while I was putting my set together, at some point I needed both hands and stuck the ice-cream on a stand. By the time I got it again it was melting and that instant I just had to shoot it.

It ended up being one of my best pictures, selected by Lurzer’s Archive to print in their 200 Best Digital Artists Worldwide 2023. Of course, I went back and bought a dozen more Twisters to set up the shot properly and experiment to get it right, but it came almost accidentally.

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But most times, I have a plan and there’s a lot of trial and error to achieve that. Recently, I did a series of glasses – I really love glasses and I pick them up wherever I can, sometimes they inspire my shoots. I wanted to create a really crisp setup for them and wanted to capture water as well, but it took a few good tries to reach the kind of water waves that made sense. Usually, I go for bold bubbles or splashes, but here I didn’t want to overpower the glasses so I went for more subtle waves which took a while.

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Do you find the experimental stage of working a new brief the most exciting part?

Yeah, I’d say this is the best part of my job is figuring out how to make ideas possible.

How do you deal with working on briefs that are less flexible and creative?

This is something I really enjoy too. Even though it’s not entirely my vision, it’s still a fun challenge —there’s always that problem-solving element. Meeting the brief accurately can be tricky and often requires a ton of pre-planning, plus backup plans for the backup plans! Things rarely go exactly to plan on set, so you’ve got to have a few aces up your sleeve. I spend a lot of time prepping, thinking through all the possible scenarios, so when the unexpected happens, I’m ready to adapt and make it work.

It would be an understatement to say your work is refreshing but how do you set yourself personal challenges to always try to create something new and original?

I’ve always gotten bored fast and needed something new to keep me engaged. Not completely new, just something that adds a little spark. I think that’s why I’ve been doing this for so long — every project comes with its own exciting challenges. Even if I’m shooting the same beer twice, for example, I’m always looking for a way to add something fresh. 

As you’d expect, there’s a lot of experimental work that never goes beyond my display and I love doing test shoots and experimental projects when I have time. Test shoots are a key part of the process —they’re where I have the freedom to try anything. Sometimes, something unexpected comes up during a test shoot, and later that technique, prop, lighting setup, or even how you block the scene, finds its way into a commercial project.

Test shoots are where you can keep experimenting, tweaking, adding, or taking things away, making a thousand changes until it finally matches the vision in your head. They’re basically a playground for creativity.

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What excites you most about collaborating with NERD?

This one’s an easy answer. I’d been searching for the right home for a while, and meeting Milana and Ira just clicked —it felt like we belonged together. I really connect with NERD’s dynamic style, bold colors, and vivid visuals. There’s a shared energy and creative vibe that makes it feel like the perfect fit.

What would be a dream brief?

I love any dynamic liquids brief — whether it’s beverages, cosmetics, food, or even paint, I’m all in. But there are definitely some cool brands I’d love to work with like Macallan, Cola, a few beer and cosmetics brands. On the drinks side it’s more about what I enjoy myself, but with cosmetics, I really love the creamy look and feel of those liquids – the camera just loves that!

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I love shooting products I genuinely like, especially brands with great design. For example, I’d love to shoot for Macallan whisky, especially the “M” edition. I’ve been a fan of the brand since my bartending days, but the M edition bottle is on another level. The design, the shape, and probably the craftsmanship behind it are just exceptional. I’ve never seen one in real life, so fingers crossed I won’t be disappointed! But considering it’s a £5k+ bottle of whisky, I think it’s safe to say it’s pretty special.

Any upcoming projects to look forward to?

I’m wrapping my head around new ideas for mixing AI with studio work — perfecting the technique for different situations. I have a plan to shoot a series of traditional cocktails, but that’s all I’ll say about it for now. Meanwhile I’ve been renovating our living room – I love to go deep into DIY projects outside of my day-to-day work sometimes. They always motivate and inspire me in surprising ways.

“Discovering Paul and delving into his incredibly cool and modern creations was the cherry on the cake for 2024! Meeting him in person was even more delightful as he is as humble and as funny as he is talented. We are thrilled to have him join our diverse roster. He is indeed a perfect fit.” – Milana Karaica, Founder at NERD Productions.    

The entire team at the NERD can’t wait to see what mind-bending experiments Paul comes up with next and we can’t wait to share it with you all.

NERD’s Airwick ‘Breath of Nature’ wins ‘Best Animation in a Commercial’ at BAA 2022

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Our photoreal film took the ‘Best Animation in a Commercial’ award at BAA2022 last Thursday. Crafted in collaboration with Havas London and directed by Peter S., this nature-inspired commercial made a lot of noise since it first aired last March. Its incredible high-end animation and whimsical sounds take the viewer through a sunny garden inspired by the director’s local flower market.

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One of the most magical features of this spot was the focus on sound design to create a Zen zone that we are witnessing virtually. To accompany the mood of the commercial our team focused a lot on the pace of the animation to dissolve movement and create tranquility of the piece.

Our Executive Creative Producer, Milana Karaica (who is soon to have a lovely baby boy) and Director Peter S. accepted the award on the night:

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The rest of the team joined to celebrate:

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NERD’s team is incredibly grateful for the recognition of hard work and talent. We are proud to be a part of the community like BAAs as they are the only awards to recognise all forms of animation and reward the work of both new and established animators across all aspects of the UK Animation scene, from student work to commercials, children’s entertainment, short and experiential films, music videos and new technologies.

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NERD Productions’ Roman Bratschi crafts mouth-watering visuals for Sephora

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Sephora is launching its first natural ingredients perfumes collections this September. Roman Bratschi, tastefully designed the gorgeous CGI ”DO NOT DRINK” key visuals for the campaign – so good; we want to taste these!  

The collaboration between Roman, NERD Productions and Sephora is a splendid one, just like the mix of elements inspired by nature and texture details that ultimately enhance the overall aesthetic of the products. We spoke to the team about the ways they brought these mesmerising concepts to life.

Continue reading “NERD Productions’ Roman Bratschi crafts mouth-watering visuals for Sephora”

NERD’s animation guru Volstok on producing animated TVC during a pandemic

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We are not silencing ourselves in adversity, our voice amplifies with relatable content – NERD’s talents have proven that time & time again and Volstok are no different. Although there’s a pandemic outside and we are all working from home, it has not interrupted the way we are connecting with audiences. Due to our international talent pool, we have always crafted in a flexible approach. Yes, we have had to adapt here and there, but we are constantly supporting clients and agencies to push their messages out there.

Continue reading “NERD’s animation guru Volstok on producing animated TVC during a pandemic”