Kulay Labitigan | Art crafted by heritage, strong cultural influence and gratitude.

Happily raised in a rural Filipino town, Kulay grew up freely exposed to local artistry and cultural scenes. Then unaware of his capabilities, he already knew that he always wanted to be creating.

As a kid, Kulay spent a lot of time daydreaming and playing. In a family-owned general merchandise shop, Kulay had a treasury load of random stuff he would make into something. He loved to draw religious imagery in made-shift drawing pads that he stitched together from old notebooks and constructed art made of objects used by priests during mass. 

Kulay Labitigan

With the multi-dimensional influence of the outer world on the Philippines’ culture and history, it is safe to say Kulay inherited an exciting, eclectic aesthetic that is evident in his everyday life. Now in his thirties, he has learned to embrace the diverse culture of the Philippines. He thrives on living in the intersection of language, tradition, and meaning without losing sight of his upbringing on a little floating island in the Pacific.

artwork

Kulay is an introvert walking around in extrovert clothing. He is very spontaneous and loves to explore new things as long as it is not far off the outermost peripheries of his secured zone. With all the realities of living back home, he developed a great sense of grit, motivation, and courage to follow the path where his soul could freely sing.

Getting started in the industry

In 2012, Kulay graduated from the University of the Philippines with a bachelor’s degree in Fine Arts. Then in 2015, he moved to the UK to take up his MA in Narrative Environments at Central Saint Martins-UAL. It was a good learning playground for Kulay to explore his trajectories, meet muses, and, most importantly, his tribe. Traditional art and design education gave him the time and space to reflect, think, experiment and converse with similar-minded human beings.

artwork

Everything happens for a reason, and Kulay’s first crack at creative jobs was pure luck, but he did spend his youth burning all the artistic fuels and has been creatively working hard to prepare him for his first position. His first job in the industry was as an art director for an independent creative agency alongside freelance design works.

Kulay loves to immerse himself in experience. He believes that human experiences make one’s creative practice richer and distinct. Therefore, he makes sure to absorb many inspirations and learnings from different fields.

artwork Kulay Labitigan

Going through the years of his experience, Kulay mentioned it always pays to be kind. People you meet along the way are there for a reason. However, what pushed everything forward was his fearlessness in following his gut. In Filipino, they always say, “Ato lang nang ato at gawa lang nang gawa,” which translates as try and try, work and work. 


The work, the work, the work


Before doing illustration, Kulay worked with art installations for performances. Telling stories through space shares a lot in common with telling stories through images; the only difference is how one arrives at the destination. Different mediums of work have impacted Kulay, but his piece for Kasa and Kin, launched at the end of last year, created a good amount of traction in the local press. It is, for him, the closest marriage of his present and past life as an image breathing in an enormous expanse of physical wall space. He is looking forward to making his illustrations more experiential. 

Kulay Labitigan

The favourite part of being an illustrator for Kulay is the creative process itself. He enjoys research, conceptualising, and getting lost in the craft. Kulay is lucky to be able to do what he loves, but as he likes to say, it always comes with a certain level of perseverance and commitment. Beyond this, receiving messages from young Filipino creatives back home that, in one way or another, found inspiration in his story to make something of what they do now makes all of this worth pursuing. 

The most challenging part of every project is the beginning of it — especially the introduction and the negotiation. As much as he tries to be better at it, he feels those are not his superpowers and are best left to the incredible team of producers at NERD Productions.

Kulay looks at his creative practice of illustration as a spiritual experience, almost like a religion. He says that there are three things we all want in life. First, to make our parents proud. Second, to reach for that one star, we are all looking up to. And finally, to be part of something that impacts others. Therefore, Kulay aspires to be relevant so that he can utilise his craft as a vessel for the greater fulfilment of his purpose.

Kulay Labitigan

By digging deeper in skills, Kulay tries to constantly explore new ways of doing, materials, and scenarios. But most importantly, by giving himself permission to be still and be in solitude. We are constantly consuming information every second of our lives, and moments of quiet help Kulay develop his original ideas. 

Kulay’s Passions and inspirations

Outside work, he likes treating himself to loads of Gelato, morsels of brownies, and hours of a good bath. He is passionate about Filipino culture. Especially the Filipino language. Words capture stories, histories, cultures, emotions, and imagination. Kulay is very passionate about narrative arcs and story structures. 

He likes the art of film. He loves going to the theatre and enjoying colourful arts, exhibitions, prints, or digital. Kulay loves immersive narrative experiences. He also likes indulging in good food.  

As for his hobbies, he loves illustrating. Kulay is currently working on an illustration passion project called BRGY Hall. BRGY is an abbreviation of the Filipino word Baranggay, a local community of several households. BRGY Hall reflects Southeast Asia’s history as told by a migrant gay man living his dreams in London whilst expounding on the idea that we are all walking micro-universe. He is looking forward to sharing this with the world once they are ready.

artwork Kulay Labitigan

With all the blessings and opportunities that opened for Kulay, he thinks he must have done well in his past life. As mentioned before, creativity for Kulay is almost his religion, and he becomes a better person the more he makes better things. What immensely motivates him in life apart from his loved ones is creativity itself, but more importantly, that sense of paying everything forward, hoping to be that person he needed when he was younger to others.

All these things and many more are what we love Kulay Labitigan for. His incredible art, view of life and unique perspective make for a fantastic addition to our creative powerhouse at NERD Productions.

See more from Kulay here.

Diablo II: Resurrected – A real labor of love and respect by Billelis

Diablo II: Resurrected is a remastered port of the classic dungeon-crawler and we got to craft some truly spectacular labors of love for Blizzard’s iconic franchise.

​While working on this fiery set of artworks, Billelis focused on the importance of the franchise’s heritage, its lengthy history, and endless fan love while also managing his own creative needs and ideas. The combination of all these elements has shaped Bill’s voice within the artwork itself.

Billelis was an obvious choice for this project as there’s no one better suited to portraying such recognisable characters in this distinctly dark, mysterious, and powerful visual style!

The key visual art took around six months to create as there was a lot of back and forth communication with the client to make the piece true to the brand’s vision and legacy the game already has. Blizzard’s original artwork was created over 12 years ago and Billelis nailed the rebirth of the artwork shaping it into a whole new, contemporary style. 

For NERD Productions it was one of the most exciting projects that Billelis has worked on and we were extremely excited to support the creation of such iconic pieces. Once again, an unbelievable collaboration with the artist who truly loves the franchise and his craft.

See more from Billelis here.

Bossing It: Staying Calm During the Tough Times with Milana Karaica

Our founder and creative executive producer on working like an animal, accepting failure and partying like it’s 1995.

Milana is an active diversity and a passionate equality advocate. Having built a successful diversity-led production company, Milana champions innovative and forward-thinking company culture, focusing on empowering and nurturing accomplished as well as young talent and talent from non-traditional backgrounds.

What was your first experience of leadership? 

After being a runner for a while, I landed a cool new job – Office Manager at a busy production company in Soho. Sounds like quite a boring job if the title is anything to go by BUUUT.. I had a team of amazing runners to help me pull off the most random, eccentric production tasks as well as incredible parties, team bonding trips and sometimes even the most bizarre requests. No day was ever the same, no task was ever the same. It meant always being on your toes, continuously learning, meeting new talented people and partying like it’s 1995 every single day! 

How did you figure out what kind of leader you wanted to be – or what kind of leader you didn’t want to be? 

This job meant that I had to interact with producers and EPs on our day to day.. They had their crew, I had mine and we had to come together to make a job happen. 

It was here that I first got the real taste of amazing leaders and also simply horrific ones too. There were those that were kind, polite and open to sharing their knowledge with others on the team regardless of their social background or what role they played in production. On the other hand, you had those that would talk to people like they were dirt on the bottom of their worn-out trendy Converse trainers! It was painful to watch, listen to and simply be in the same room with. Even though I had only little say at that point in my career, I often clashed with those individuals, perhaps even when the situation didn’t involve me at all as I just could not stand unfair behaviour! I knew I wanted to be different from them, power or no power, I did my best to be supportive but straight up at the same time, both with the ones who were mistreated and the ones that were favoured.

What experience or moment gave you your biggest lesson in leadership?

Being a young EP and getting so ahead too quickly! In my eyes I had the right to be there due to my relentless work energy and never saying no to a random all-night task or an unexpected challenge. With that came the need to prove myself though, to my peers whom I left behind, to older colleagues and specifically those that didn’t like me for many personal or subjective reasons – like being too young, too ethnic, or just for being from Croydon! 

I worked like an animal, day & night. Missing family gatherings, birthdays – doing conference calls at funerals… yes, I did that! However, with the recognition and praise came the ego as well. There was a point where I started to care too much about myself and the unfair treatment I was getting, even in this position and actually forgetting that so many others had it the same or worse, but had much smaller voices than I did. 

Did you know you always wanted to take on a leadership role? If so how did you work towards it and if not, when did you start realising that you had it in you?

I think three weeks into my first job in the industry I knew I would run a production company one day. Not because I wanted to lead, but because it really pissed me off how things were being managed from a clique and classist point of view and I wanted them to be done differently, based on merit and talent.

What are the aspects of leadership that you find most personally challenging? And how do you work through them? 

I hate having to let people go! It’s never nice to have to let someone go so I always try to empower people to see why they may be better at something else or be more suited to another adventure. It’s not fair to keep people on if they are not the best version of themselves as they are wasting their own time too, not just yours. 

Have you ever felt like you’ve failed whilst in charge? How did you address the issue and what did you learn from it? 

We all fail! Sometimes you don’t notice a team member is down and struggling with something, be it personal or work related. Sometimes you don’t initially pay enough attention to a problem or an unusual friction between team members. I believe it’s all a part of the process and if we couldn’t learn and improve continuously in our industry, then I would just quit! It simply means it’s got to the point you don’t care enough anymore.

In terms of leadership and openness, what’s your approach there? Do you think it’s important to be transparent as possible in the service of being authentic? Or is there a value in being careful and considered? 

I think honesty is the most important element of any successful relationship. We value this in our personal relationships so why not in our work collaborations? I’m not saying to share your every thought and worry, but to bring transparency while coming up with suggestions is always appreciated whichever side you are on.

As you developed your leadership skills did you have a mentor, if so who were/are they and what have you learned? And on the flip side, do you mentor any aspiring leaders and how do you approach that relationship? 

I have had a few people to look up to over the years and some of those have let me down which is always devastating while others inspired and motivated me more than I expected. I mentor a lot of young and up & coming talent and always treat those as friendships and close relationships. You really have to get to know a person to be able to see their strengths & weaknesses and how to help them get to be the best they can be. It’s a big responsibility!

It’s been a really challenging year – and that’s an understatement. How do you cope with the responsibility of leading a team through such difficult waters? 

Its not my first rodeo, ha! Sadly, I have had to lead teams through tough times before and that is one of my strengths – No matter what life throws at me, I just produce my way out of it. Staying calm and motivated in times of adversity is the best team bonding exercise you can ever ask for. You will be better for it and come out the other side with wonderful friends and more experience to add under your belt.

This year has seen the industry confronted with its lack of action/progress on diversity and inclusion. As a leader how have you dealt with this? 

As a change maker in this specific area it’s been a fantastic year for my talented Directors, Illustrators and Photographers! They are finally getting the opportunities they have been side-lined for in the past for unfair reasons and they get to have a bit more of a spotlight.

How important is your company culture to the success of your business? And how have you managed to keep it alive with staff working remotely in 2020? 

As a company that represents diverse talent, we have been a global company since our first day. Working remotely has not really meant that we have had to change a thing about how we craft. Our company culture is the only reason I started NERD, so it is the key to what we do, how we do it and why – every day! 

What are the most useful resources you’ve found to help you along your leadership journey? 

Other passionate and creative people!

Body Positive Visual Artist Esther Lalanne Joins NERD Productions

Esther At Work

On the International Women’s Day, Esther Lalanne joins the diverse and inclusive NERD family, led by Executive Creative Producer/Founder Milana Karaica. NERD welcomes Esther Lalanne, body positive and whimsical visual artist.

Esther is a prolific visual artist who accurately represents bodies and identities, primarily women, who make our society. Esther’s bubbly and quirky aesthetic is inspired by everyday life and human interactions.

Esther has always loved to draw women; she says: ‘Growing up, I have always felt frustrated in this all-white-cis-male world, and drawing has been a useful way of expressing myself and others like me.’ 

Esther is well-placed in a ray of talents at NERD, including powerful Animation Directors like Sharon Liu, Elmaz Ekrem, Hayley Morris, Corinne Ladeinde, Heather Colbert and Peque Varela. Visual Artists like Blake Kathryn, Helena Elias and Lana Dudarenko. And our Live-Action Directors – Kyla Philander, Cherish Oteka, Shona Auerbach, Harriet MacDonald and Meriem Adib.

Esther wants to depict a world where women, people of every race and sexuality, can be more visible and free to exist without expectations or limitations. She believes that the power of craft influences real life and people.

She creates fun visuals that touch the soul and speak to a vast array of people. Esther has worked with Refinery29, Ellen MacArthur Foundation, The Body Shop, King’s College London, Green Peace, ITV, and NHS.

See more of Esther’s work here.

NERD’s Black Stories: Animation Director, Corinne Ladeinde

Although our peers feel that efforts for a more diverse industry are being made; we still think that the actions taken are surface level, and black people are a rarity in our industry.

We spoke to black creatives who contribute significantly to their field and have asked them words of advice for current and future artists of colour wanting to break through the creative industry.

Next up is Animation Director Corinne Ladeinde.

Corinne is an award-winning animation director with a passion for storytelling, design, animation and illustration. After working as a lead compositor on projects such as The Snowman and the Snowdog and We’re going on a Bear Hunt! for Channel 4, Corinne further pursued her directing ambitions and has since directed a range of commercials and online films for clients such as Dove, Bach, Bonjela and Liz Earle amongst others.

When did you decide to become an animator/illustrator?

From the age of 6 and growing up, I had in mind that I will become an animator; but once I had graduated and dive into the professional world, I realised that I love storytelling and from then on, started directing.

How has your upbringing influenced the work that you do today?

My mum is a true stoic. She is my inspiration to always investing my time in the things I truly enjoy. My mother used my brother and me as an excuse to watch the latest animated Disney films at the time. I grew up on a diet of animation from the Lion King to Aladin and The Nightmare Before Christmas. When I was a kid, I was reading a lot, attended regular arts and crafts activities, theatre and galleries. All these things have influenced my vision as an artist.

What advice would you give your younger self?

“To act as if it’s impossible to fail”. This is an Anthony Hopkins quote, that I have learned to live by.

How has it been transitioning from composing to directing?

Directing my first spot was challenging and also very rewarding. It was such a pleasure to work with a team committed to support and nurture young directors.

Working with NERD Productions has allowed me to work with other directors of different disciplines which have helped me to broaden my horizons and offer clients a more varied approach to their work.

Click here to view Corinne’s portfolio.

Want to work with Corinne Ladeinde or another NERD? Click here.

Claire shares her tips to coping with self-isolation and anxiety.

Since this whole thing started, many of us around the world, even those who haven’t been infected by the virus, have had to self-isolate at home for the past few months. Before that, we’ve all had planned to travel the world, meet-up with loved-ones, attend weddings, parties or grab a coffee with a colleague – simply, enjoy our lives in different ways. Working from home for us, NERDs, was nothing new, although this situation is a bit different. NERD’s Executive Producer and avid painter Claire shares her tips to coping with self-isolation and anxiety, which we hope will help you or someone you know turn things around and enjoy the simple things we might sometime take for granted.  

Continue reading “Claire shares her tips to coping with self-isolation and anxiety.”

Paloma, The Directing Duo Who Sparks Creativity Remotely!

Self-isolation and social distancing are the new normal. Offices are indeed closed, live-action productions cancelled yet our audiences are going to be online for many hours more and it’s the best time to reach out to out to them through animation &  illustration. In short, self-isolation might mean disruption to working life, but also means new opportunities and exploring new horizons!

Continue reading “Paloma, The Directing Duo Who Sparks Creativity Remotely!”

How To Build Your Own Visual Identity

Illustrator Luke Preece’s guide to finding your own identity as a visual artist and turning your passion into a career.

Before I focused on illustration I was a graphic designer full time and a musician as a side hustle. I could definitely talk at length about my career choices and how I ended up where I am today. It might be beneficial to others coming up… I like helping younger generations where I can. I’m a father to two girls so the parent in me naturally wants to encourage being creative as a viable career choice. There’s never been a better time than now… The opportunities are endless.

Continue reading “How To Build Your Own Visual Identity”