Art in War – Lana Dudarenko

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Following on from Immigrant Heritage Month, we had the opportunity to connect with Lana, one of our talented illustrators, from Ukraine. As she navigates her life amidst the ongoing progression of the war, we sparked a conversation, seeking to uncover the intricate realities of being a creative in Ukraine. Through thought-provoking questions, we aimed to shed light on the challenges and aspirations that shape Lana’s journey. Join us as we embark on an insightful exploration of her unique perspective and the resilient spirit that fuels her creativity.


Please tell us a short story about your experience of learning about the conflict and then making a decision to leave.

We anticipated the conflict but didn’t truly believe it would happen until the last minute. During the invasion, both my brother and I were in Kyiv. We quickly found a car and travelled to my hometown in central Ukraine. I stayed there for around 3 to 4 days before making the immediate decision to leave, as advised by my mom. I went to Poland, to begin with, where my cousin had been living for several years.

What motivated you to return to Ukraine despite the ongoing conflict? How did you find the courage to face the challenges associated with going back to your life there?

After staying in Poland for a little while, we decided to go further and the idea of staying in a safe country like Portugal was wiser, but the unbearable thought of being far from my family made me decide to return to Ukraine after months and months of struggle and tears. It took me days to travel across the country, but after months of emotional struggle, I bought plane tickets without telling my family and came back to be with them. We can’t predict the future, so being together was my priority.

How has your experience as a creative person abroad influenced your artistic expression upon your return? Have you found new sources of inspiration or a different perspective that informs your work now?

The situation affected me, and I channelled my emotions into art, but I struggle to share it publicly. Despite knowing its importance, I find it complicated and have mixed feelings about posting my work online.

My friend and assistant, Gina, who had witnessed the power of my creations, urged me to post my work, recognising the value it held not only for myself but potentially for others as well. Yet, every time I approached the moment of clicking that “share” button, I just couldn’t do it. On one hand, I know it’s important for me to create and express myself. But when it comes to actually posting my work during the war, something doesn’t feel quite right. I can’t fully explain why, and it leaves me with mixed feelings.

Despite this confusion, I actively work on understanding my own beliefs about sharing my art. I remind myself that it’s important, even if it doesn’t have a big impact on the world. I push myself to overcome the hesitation and doubts, knowing that creating and expressing myself through art is meaningful. While the complexity of this issue may remain, I am determined to move forward and share my work with others.

As the months passed and all events unfolded, did you experience a surge of inspiration to create more?

During the first wave of shock and fear, I created a series of three illustrations to express not only my own feelings but also those of fellow Ukrainians I knew. These artworks depicted various emotions such as anguish, pain, and fear. However, I never shared or posted them publicly. It felt like a personal creation, something just for myself.

As an illustrator, I initially focused on simpler art and commissioned work. But over time, my style evolved, and I began exploring more complex and expressive pieces. I am transitioning from being solely an illustrator for clients to embracing the role of an artist who conveys my own vision, thoughts, and mindset through my work. This shift in focus and artistic growth coincided with the experiences during the war, acting as a catalyst for this transformation.

Can you share any particular moments or encounters that made you realise the importance of contributing to the artistic and cultural scene in your home country even during the war? How do you hope to make a difference through your creativity?

During such a challenging time, my primary concern has been the well-being and safety of my family and myself. The overwhelming nature of the situation has prevented me from formulating concrete plans or specific encounters that made me realise the importance of contributing to the artistic and cultural scene in my home country during the war. My immediate focus has been on survival and ensuring the safety of my loved ones.

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Another illustration from Winter 2022.

In your art in general, past, present or future art, do you incorporate any symbols or colours that could tell people who you are and where you’re from?

That’s a great question because it made me reflect on my artistic journey. Previously, I didn’t prioritise incorporating elements of my cultural identity into my work. However, as I continue to develop my style and explore my art, I am beginning to recognise its importance. I hope to find the courage to share my cultural perspective with my audience soon. While I used to believe that my art could change the world, the current situation has made me question its impact. Nevertheless, I strive to be more socially active and understand that art can still influence various aspects of life.

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Having worked with a number of amazing clients and being an important part of NERD, how do you think your decision to stay in Ukraine will impact progress in your career?

The situation definitely had an impact on my work, although not specifically with NERD-related projects. Due to the circumstances, I had to take on various projects to support my family financially during the initial challenging phase of the war. This heavy workload took a toll on my mental state and led to burnout.

Looking ahead, I remain hopeful for the future of Ukraine. I aspire to see a time where we can build our lives and dreams within our own country, rather than seeking opportunities elsewhere. As for my art, I am focusing on transitioning from being solely an illustrator to embracing the role of an artist. I am open to where this artistic journey takes me, going with the flow and seeing where it leads.

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One Of The Most Recent Illustrations From Lana For The Saddlehill Academy Book.

NERD Productions: Promoting a Sustainable Future for Advertising

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At NERD Productions, we firmly believe in the harmonious relationship between creativity and sustainability. We strive to minimise our environmental footprint and advocate for sustainable practices at every stage of the production process, ensuring a better and greener future.

Here are some of our top ideas on how the production industry can actively contribute to a more sustainable world:

1. As a production company, we often influence viewers’ lifestyle choices, so how can we encourage our global audiences to adopt more sustainable consumption habits?

  • Create content that showcases the importance and benefits of sustainable living. This content can inspire viewers to adopt similar practices in their daily lives.
  • Collaborate with sustainable brands and organizations to create content that promotes sustainable products and services. This can create a positive association with sustainability in the minds of your audience.
  • Lead by example and ensure that your own production processes are sustainable, minimising your impact on the environment.
  • Engage with your audience and encourage them to share their own sustainable practices and experiences. This can create a sense of community and inspire others to adopt similar practices.
  • Support sustainable initiatives by sponsoring events, donating funds, or volunteering your time. This can create a positive association with sustainability in the minds of your audience and encourage them to do the same.

By implementing these ideas, we can encourage sustainable consumption habits and make a positive impact on the environment.

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NERD Sustainability Advocate & Director: Lucas Borras ‘Arrow’

2. How can we best collaborate with communities and organisations in advertising to promote sustainable initiatives beyond internal production processes?

  1. Offer resources: Provide resources and support to help the community/organisation implement sustainable practices. 
  2. Co-create campaigns: Collaborate with the community/organisation to co-create campaigns that promote sustainability. This ensures that the message resonates with the community and is more likely to be effective.
  3. Look for sustainable opportunities: Look for parts of the story or processes that can be made more sustainable. Highlighting these aspects can inspire others to take action towards sustainability.
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NERD Sustainability Advocate & Director Rachael-Olga Lloyd ‘Everything InBetween”

3. How can we entice clients and agencies to invest in making production more sustainable, as this usually comes at a higher cost?

Investing in sustainable production is not only essential for a better future, but it can also bring numerous benefits to clients and agencies. However, it’s crucial to entice them to make the initial investment. Here are some ways to make sustainability more engaging:

Firstly, highlight the long-term benefits of sustainable production. While it may require higher costs initially, sustainable practices can result in significant long-term cost savings. For instance, by reducing energy consumption, waste, and improving efficiency, businesses can ultimately increase profitability and create a positive brand image.

Secondly, showcase the business case for sustainability. Presenting research and case studies that demonstrate the financial benefits of sustainable production can help clients and agencies realise the value of such practices. This can include increased market share, customer loyalty, and an improved reputation.

Thirdly, offer incentives to encourage sustainable production. These can be in the form of reduced rates, additional services, or other perks. By offering tangible benefits, clients and agencies can be motivated to invest in sustainable production.

Lastly, encourage collaboration to identify areas where sustainable practices can be implemented without compromising production quality. Working collaboratively with clients and agencies can also help reduce costs and increase buy-in from stakeholders.

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NERD Sustainability Advocate & Director: Brett De Vos ‘World Diabetes Day”

4. How to reduce digital pollution? Our starter’s top tips for everyone:

We believe in constantly reevaluating practices to ensure they are effective and sustainable. Simple solutions like eliminating email signature images and avoiding sending unnecessary emails can significantly reduce data usage and your carbon footprint.

Sustainable web design practices such as image optimisation and file compression can further reduce the energy required to load web pages. Using video conferencing and allowing for remote work can save time, money, and emissions from unnecessary travel.

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NERD Sustainability Advocate & Director: Hayley Morris “Charlie Banana”

Kulay Labitigan | Art crafted by heritage, strong cultural influence and gratitude.

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Happily raised in a rural Filipino town, Kulay grew up freely exposed to local artistry and cultural scenes. Then unaware of his capabilities, he already knew that he always wanted to be creating.

As a kid, Kulay spent a lot of time daydreaming and playing. In a family-owned general merchandise shop, Kulay had a treasury load of random stuff he would make into something. He loved to draw religious imagery in made-shift drawing pads that he stitched together from old notebooks and constructed art made of objects used by priests during mass. 

Kulay Labitigan

With the multi-dimensional influence of the outer world on the Philippines’ culture and history, it is safe to say Kulay inherited an exciting, eclectic aesthetic that is evident in his everyday life. Now in his thirties, he has learned to embrace the diverse culture of the Philippines. He thrives on living in the intersection of language, tradition, and meaning without losing sight of his upbringing on a little floating island in the Pacific.

Artwork

Kulay is an introvert walking around in extrovert clothing. He is very spontaneous and loves to explore new things as long as it is not far off the outermost peripheries of his secured zone. With all the realities of living back home, he developed a great sense of grit, motivation, and courage to follow the path where his soul could freely sing.

Getting started in the industry

In 2012, Kulay graduated from the University of the Philippines with a bachelor’s degree in Fine Arts. Then in 2015, he moved to the UK to take up his MA in Narrative Environments at Central Saint Martins-UAL. It was a good learning playground for Kulay to explore his trajectories, meet muses, and, most importantly, his tribe. Traditional art and design education gave him the time and space to reflect, think, experiment and converse with similar-minded human beings.

Artwork

Everything happens for a reason, and Kulay’s first crack at creative jobs was pure luck, but he did spend his youth burning all the artistic fuels and has been creatively working hard to prepare him for his first position. His first job in the industry was as an art director for an independent creative agency alongside freelance design works.

Kulay loves to immerse himself in experience. He believes that human experiences make one’s creative practice richer and distinct. Therefore, he makes sure to absorb many inspirations and learnings from different fields.

Artwork Kulay Labitigan
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Going through the years of his experience, Kulay mentioned it always pays to be kind. People you meet along the way are there for a reason. However, what pushed everything forward was his fearlessness in following his gut. In Filipino, they always say, “Ato lang nang ato at gawa lang nang gawa,” which translates as try and try, work and work. 


The work, the work, the work


Before doing illustration, Kulay worked with art installations for performances. Telling stories through space shares a lot in common with telling stories through images; the only difference is how one arrives at the destination. Different mediums of work have impacted Kulay, but his piece for Kasa and Kin, launched at the end of last year, created a good amount of traction in the local press. It is, for him, the closest marriage of his present and past life as an image breathing in an enormous expanse of physical wall space. He is looking forward to making his illustrations more experiential. 

Kulay Labitigan

The favourite part of being an illustrator for Kulay is the creative process itself. He enjoys research, conceptualising, and getting lost in the craft. Kulay is lucky to be able to do what he loves, but as he likes to say, it always comes with a certain level of perseverance and commitment. Beyond this, receiving messages from young Filipino creatives back home that, in one way or another, found inspiration in his story to make something of what they do now makes all of this worth pursuing. 

The most challenging part of every project is the beginning of it — especially the introduction and the negotiation. As much as he tries to be better at it, he feels those are not his superpowers and are best left to the incredible team of producers at NERD Productions.

Kulay looks at his creative practice of illustration as a spiritual experience, almost like a religion. He says that there are three things we all want in life. First, to make our parents proud. Second, to reach for that one star, we are all looking up to. And finally, to be part of something that impacts others. Therefore, Kulay aspires to be relevant so that he can utilise his craft as a vessel for the greater fulfilment of his purpose.

Kulay Labitigan
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By digging deeper in skills, Kulay tries to constantly explore new ways of doing, materials, and scenarios. But most importantly, by giving himself permission to be still and be in solitude. We are constantly consuming information every second of our lives, and moments of quiet help Kulay develop his original ideas. 

Kulay’s Passions and inspirations

Outside work, he likes treating himself to loads of Gelato, morsels of brownies, and hours of a good bath. He is passionate about Filipino culture. Especially the Filipino language. Words capture stories, histories, cultures, emotions, and imagination. Kulay is very passionate about narrative arcs and story structures. 

He likes the art of film. He loves going to the theatre and enjoying colourful arts, exhibitions, prints, or digital. Kulay loves immersive narrative experiences. He also likes indulging in good food.  

As for his hobbies, he loves illustrating. Kulay is currently working on an illustration passion project called BRGY Hall. BRGY is an abbreviation of the Filipino word Baranggay, a local community of several households. BRGY Hall reflects Southeast Asia’s history as told by a migrant gay man living his dreams in London whilst expounding on the idea that we are all walking micro-universe. He is looking forward to sharing this with the world once they are ready.

Artwork Kulay Labitigan

With all the blessings and opportunities that opened for Kulay, he thinks he must have done well in his past life. As mentioned before, creativity for Kulay is almost his religion, and he becomes a better person the more he makes better things. What immensely motivates him in life apart from his loved ones is creativity itself, but more importantly, that sense of paying everything forward, hoping to be that person he needed when he was younger to others.

All these things and many more are what we love Kulay Labitigan for. His incredible art, view of life and unique perspective make for a fantastic addition to our creative powerhouse at NERD Productions.

See more from Kulay here.

Diablo II: Resurrected – A real labor of love and respect by Billelis

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Diablo II: Resurrected is a remastered port of the classic dungeon-crawler and we got to craft some truly spectacular labors of love for Blizzard’s iconic franchise.

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​While working on this fiery set of artworks, Billelis focused on the importance of the franchise’s heritage, its lengthy history, and endless fan love while also managing his own creative needs and ideas. The combination of all these elements has shaped Bill’s voice within the artwork itself.

Billelis was an obvious choice for this project as there’s no one better suited to portraying such recognisable characters in this distinctly dark, mysterious, and powerful visual style!

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The key visual art took around six months to create as there was a lot of back and forth communication with the client to make the piece true to the brand’s vision and legacy the game already has. Blizzard’s original artwork was created over 12 years ago and Billelis nailed the rebirth of the artwork shaping it into a whole new, contemporary style. 

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For NERD Productions it was one of the most exciting projects that Billelis has worked on and we were extremely excited to support the creation of such iconic pieces. Once again, an unbelievable collaboration with the artist who truly loves the franchise and his craft.

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See more from Billelis here.

Bossing It: Staying Calm During the Tough Times with Milana Karaica

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Our founder and creative executive producer on working like an animal, accepting failure and partying like it’s 1995.

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Milana is an active diversity and a passionate equality advocate. Having built a successful diversity-led production company, Milana champions innovative and forward-thinking company culture, focusing on empowering and nurturing accomplished as well as young talent and talent from non-traditional backgrounds.

What was your first experience of leadership? 

After being a runner for a while, I landed a cool new job – Office Manager at a busy production company in Soho. Sounds like quite a boring job if the title is anything to go by BUUUT.. I had a team of amazing runners to help me pull off the most random, eccentric production tasks as well as incredible parties, team bonding trips and sometimes even the most bizarre requests. No day was ever the same, no task was ever the same. It meant always being on your toes, continuously learning, meeting new talented people and partying like it’s 1995 every single day! 

How did you figure out what kind of leader you wanted to be – or what kind of leader you didn’t want to be? 

This job meant that I had to interact with producers and EPs on our day to day.. They had their crew, I had mine and we had to come together to make a job happen. 

It was here that I first got the real taste of amazing leaders and also simply horrific ones too. There were those that were kind, polite and open to sharing their knowledge with others on the team regardless of their social background or what role they played in production. On the other hand, you had those that would talk to people like they were dirt on the bottom of their worn-out trendy Converse trainers! It was painful to watch, listen to and simply be in the same room with. Even though I had only little say at that point in my career, I often clashed with those individuals, perhaps even when the situation didn’t involve me at all as I just could not stand unfair behaviour! I knew I wanted to be different from them, power or no power, I did my best to be supportive but straight up at the same time, both with the ones who were mistreated and the ones that were favoured.

What experience or moment gave you your biggest lesson in leadership?

Being a young EP and getting so ahead too quickly! In my eyes I had the right to be there due to my relentless work energy and never saying no to a random all-night task or an unexpected challenge. With that came the need to prove myself though, to my peers whom I left behind, to older colleagues and specifically those that didn’t like me for many personal or subjective reasons – like being too young, too ethnic, or just for being from Croydon! 

I worked like an animal, day & night. Missing family gatherings, birthdays – doing conference calls at funerals… yes, I did that! However, with the recognition and praise came the ego as well. There was a point where I started to care too much about myself and the unfair treatment I was getting, even in this position and actually forgetting that so many others had it the same or worse, but had much smaller voices than I did. 

Did you know you always wanted to take on a leadership role? If so how did you work towards it and if not, when did you start realising that you had it in you?

I think three weeks into my first job in the industry I knew I would run a production company one day. Not because I wanted to lead, but because it really pissed me off how things were being managed from a clique and classist point of view and I wanted them to be done differently, based on merit and talent.

What are the aspects of leadership that you find most personally challenging? And how do you work through them? 

I hate having to let people go! It’s never nice to have to let someone go so I always try to empower people to see why they may be better at something else or be more suited to another adventure. It’s not fair to keep people on if they are not the best version of themselves as they are wasting their own time too, not just yours. 

Have you ever felt like you’ve failed whilst in charge? How did you address the issue and what did you learn from it? 

We all fail! Sometimes you don’t notice a team member is down and struggling with something, be it personal or work related. Sometimes you don’t initially pay enough attention to a problem or an unusual friction between team members. I believe it’s all a part of the process and if we couldn’t learn and improve continuously in our industry, then I would just quit! It simply means it’s got to the point you don’t care enough anymore.

In terms of leadership and openness, what’s your approach there? Do you think it’s important to be transparent as possible in the service of being authentic? Or is there a value in being careful and considered? 

I think honesty is the most important element of any successful relationship. We value this in our personal relationships so why not in our work collaborations? I’m not saying to share your every thought and worry, but to bring transparency while coming up with suggestions is always appreciated whichever side you are on.

As you developed your leadership skills did you have a mentor, if so who were/are they and what have you learned? And on the flip side, do you mentor any aspiring leaders and how do you approach that relationship? 

I have had a few people to look up to over the years and some of those have let me down which is always devastating while others inspired and motivated me more than I expected. I mentor a lot of young and up & coming talent and always treat those as friendships and close relationships. You really have to get to know a person to be able to see their strengths & weaknesses and how to help them get to be the best they can be. It’s a big responsibility!

It’s been a really challenging year – and that’s an understatement. How do you cope with the responsibility of leading a team through such difficult waters? 

Its not my first rodeo, ha! Sadly, I have had to lead teams through tough times before and that is one of my strengths – No matter what life throws at me, I just produce my way out of it. Staying calm and motivated in times of adversity is the best team bonding exercise you can ever ask for. You will be better for it and come out the other side with wonderful friends and more experience to add under your belt.

This year has seen the industry confronted with its lack of action/progress on diversity and inclusion. As a leader how have you dealt with this? 

As a change maker in this specific area it’s been a fantastic year for my talented Directors, Illustrators and Photographers! They are finally getting the opportunities they have been side-lined for in the past for unfair reasons and they get to have a bit more of a spotlight.

How important is your company culture to the success of your business? And how have you managed to keep it alive with staff working remotely in 2020? 

As a company that represents diverse talent, we have been a global company since our first day. Working remotely has not really meant that we have had to change a thing about how we craft. Our company culture is the only reason I started NERD, so it is the key to what we do, how we do it and why – every day! 

What are the most useful resources you’ve found to help you along your leadership journey? 

Other passionate and creative people!

Body Positive Visual Artist Esther Lalanne Joins NERD Productions

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On the International Women’s Day, Esther Lalanne joins the diverse and inclusive NERD family, led by Executive Creative Producer/Founder Milana Karaica. NERD welcomes Esther Lalanne, body positive and whimsical visual artist.

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Esther is a prolific visual artist who accurately represents bodies and identities, primarily women, who make our society. Esther’s bubbly and quirky aesthetic is inspired by everyday life and human interactions.

Esther has always loved to draw women; she says: ‘Growing up, I have always felt frustrated in this all-white-cis-male world, and drawing has been a useful way of expressing myself and others like me.’ 

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Esther is well-placed in a ray of talents at NERD, including powerful Animation Directors like Sharon Liu, Elmaz Ekrem, Hayley Morris, Corinne Ladeinde, Heather Colbert and Peque Varela. Visual Artists like Blake Kathryn, Helena Elias and Lana Dudarenko. And our Live-Action Directors – Kyla Philander, Cherish Oteka, Shona Auerbach, Harriet MacDonald and Meriem Adib.

Esther wants to depict a world where women, people of every race and sexuality, can be more visible and free to exist without expectations or limitations. She believes that the power of craft influences real life and people.

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She creates fun visuals that touch the soul and speak to a vast array of people. Esther has worked with Refinery29, Ellen MacArthur Foundation, The Body Shop, King’s College London, Green Peace, ITV, and NHS.

See more of Esther’s work here.

NERD’s Black Stories: Animation Director, Corinne Ladeinde

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Although our peers feel that efforts for a more diverse industry are being made; we still think that the actions taken are surface level, and black people are a rarity in our industry.

We spoke to black creatives who contribute significantly to their field and have asked them words of advice for current and future artists of colour wanting to break through the creative industry.

Next up is Animation Director Corinne Ladeinde.

Corinne is an award-winning animation director with a passion for storytelling, design, animation and illustration. After working as a lead compositor on projects such as The Snowman and the Snowdog and We’re going on a Bear Hunt! for Channel 4, Corinne further pursued her directing ambitions and has since directed a range of commercials and online films for clients such as Dove, Bach, Bonjela and Liz Earle amongst others.

When did you decide to become an animator/illustrator?

From the age of 6 and growing up, I had in mind that I will become an animator; but once I had graduated and dive into the professional world, I realised that I love storytelling and from then on, started directing.

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How has your upbringing influenced the work that you do today?

My mum is a true stoic. She is my inspiration to always investing my time in the things I truly enjoy. My mother used my brother and me as an excuse to watch the latest animated Disney films at the time. I grew up on a diet of animation from the Lion King to Aladin and The Nightmare Before Christmas. When I was a kid, I was reading a lot, attended regular arts and crafts activities, theatre and galleries. All these things have influenced my vision as an artist.

What advice would you give your younger self?

“To act as if it’s impossible to fail”. This is an Anthony Hopkins quote, that I have learned to live by.

How has it been transitioning from composing to directing?

Directing my first spot was challenging and also very rewarding. It was such a pleasure to work with a team committed to support and nurture young directors.

Working with NERD Productions has allowed me to work with other directors of different disciplines which have helped me to broaden my horizons and offer clients a more varied approach to their work.

Click here to view Corinne’s portfolio.

Want to work with Corinne Ladeinde or another NERD? Click here.

Claire shares her tips to coping with self-isolation and anxiety.

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Since this whole thing started, many of us around the world, even those who haven’t been infected by the virus, have had to self-isolate at home for the past few months. Before that, we’ve all had planned to travel the world, meet-up with loved-ones, attend weddings, parties or grab a coffee with a colleague – simply, enjoy our lives in different ways. Working from home for us, NERDs, was nothing new, although this situation is a bit different. NERD’s Executive Producer and avid painter Claire shares her tips to coping with self-isolation and anxiety, which we hope will help you or someone you know turn things around and enjoy the simple things we might sometime take for granted.  

Continue reading “Claire shares her tips to coping with self-isolation and anxiety.”

Paloma, The Directing Duo Who Sparks Creativity Remotely!

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Self-isolation and social distancing are the new normal. Offices are indeed closed, live-action productions cancelled yet our audiences are going to be online for many hours more and it’s the best time to reach out to out to them through animation &  illustration. In short, self-isolation might mean disruption to working life, but also means new opportunities and exploring new horizons!

Continue reading “Paloma, The Directing Duo Who Sparks Creativity Remotely!”